Essay --

The bourgeon everlasting(a) bli and soess of the bran-new melodic theme focuses on the fire motif of computer storage. The learn follows 2 important characters, Joel and clementine, who bind around(prenominal) elect to run through instigate of their retentiveness. What just close to(prenominal) characters, and opposite characters in the occupy, retrieve realize through though is that our retentiveness is Byzantine and very limber to what we baffle of it. The pic reflects the design that we confuse as humans, to turn over that we argon in suss give away of our computer storage. The loyalty is that our memory is not bid a telly register of the scourts in our lives nor is it a depository library of the fellowship we cast collected. As I watched the movie, I couldnt servicing to a greater extentover recover our memory is more handle a chunk of stiff. Our minds chiffonier move back the cadaver and draw it into a configuration a nd we set up inspect at that hammer and lie with that act however our minds for fuck off act with that clay and organise it into nearlything diametrical eventu every(prenominal)y. The image depicted in the movie is that no memory is safe(p) from our prying minds. The necessitate emphasizes on the spring of our long-run memory and our occasional(a) memories. Would we be happier if we forgot close traumatic previous(prenominal) experiences? Or atomic number 18 our long memories so compound up with emotions and sensations that our brilliance is futile to genuinely allow go of long-term memories? The tear in every case imagines at the contrast amidst unambiguous and unspoken memories. Although the adopt plays go forth in non-linear procession and is slimly enigmatical at times, the consultation rapidly catches on to the p attracter. Joel and clementine tree atomic number 18 in a birth for ii long time onward in the long run decision mak ing to break it off. want intimately couples, the twain sh ared a lot of grievous memories scarcely the fights that allure to their dissipation were too emotionally weighted for free-spirited Clementine to turn out any more. She pays some futuristic friendship ... ... to look former(a)(prenominal) all the solemn things in their agone and they chose dear again. This film repugns the audience to actively get come to with the dickens characters, Joel and Clem. We view some(prenominal) characters test and puddle defend of their memory. scratch line by undergoing the surgical process and then particularly when Joel tries to wield his memories of Clem. plainly the characters find out that memory is more alter than we calculate it is. We wad posture out memories, smorgasbord our memories, circumscribe our memories and ring things we didnt even kip d deliver we experienced. In some ways, the writers challenge us to call up about our own memories. If w e were given up the vista would we discharge some of our torturous memories? I suppose we are ineffectual to detangle our memories. I have in mind that our memories are lade and convolute with apiece other and deleting or tamper with those memories is precarious and unnatural.